Sunday, January 8, 2012

Nancy Moyer, The Bicameral Face

A Conceptual Theory through Digital Photographs
Ben Bailey Art Gallery
On View: Jan 27 – Feb 22, 2012
Reception and Artist Talk: Wed. Feb 1st, 6PM – 9PM
Talk Starts at 6:30 PM















Art gallery exhibit features look at human faces 

Artist Nancy Moyer will explore the theory that all faces have three sides in her new art exhibit at the Ben Bailey Art Gallery at Texas A&M University-Kingsville. The exhibit, The Bicameral Face, begins Friday, Jan. 27, and continues through Wednesday, Feb. 22. An artist reception will be held from 6 to 9 p.m. Wednesday, Feb. 1, with Moyer speaking at 6:30 p.m.

“We are all aware of the asymmetry of the human face, but what causes it?” Moyer said. “I decided to explore a theory of brain function as it affects our face and discovered a fascinating approach to the portrait.

“With my Faces, I have created a series of portraits that I believe more accurately depict each individual than would the traditional single-image portrait. The visual effect of this complex mind structure is demonstrated through a variety of individuals who make many decisions on a daily basis,” she said.

Moyer said The Bicameral Face shows the three true personas that existed at the time of the photograph including the Empirical merged face, or the person we see; the Commander, or the dominant side who receives and generates information and has cosmic connections; and the Facilitator, or the side that analyzes information and manifests it into a visible or public act.

“I discovered that the face is a dynamic organ. Depending on the person’s daily experience, the asymmetry may change,” she said. “I re-photographed several of the faces and they were different each time. Sometimes a little, sometimes a lot.

“With this exhibit, I identify some dual personalities, some inner conflicts and show the window of the brain through the facial windows of my subjects. I hope viewers will think about their own faces from this point of view and consider using this concept as a way towards a better understanding of themselves and those around them.”

About Nancy Moyer
Moyer is Professor Emerita of Art at University of Texas-Pan American. She was chair of the art department there for 17 years. She is currently chair of the McAllen Arts Council, art critic for the McAllen Monitor and has served as managing editor of Voices of Art magazine.
She has had 10 solo exhibitions and over 90 juried and group shows with mostly drawing and metal work.

Her most recent exhibits include Jackrabbits! a collaborative public sculpture commission by the city of McAllen; Chain Show, at the Blue Heron Gallery in Deer Isle, Maine; and the Fifth Anniversary Exhibit at Galeria 409 in Brownsville.

Published jewelry works include Defensive Ornament, by Schiffer Publishing Company, due out this spring; Art Jewelry Today 2, Schiffer Publishing Company; The Craft of Making Jewelry, Lark Books Press; 500 Brooches, Lark Books Press; 1000 Rings, Lark Books Press; and Jewelry: Fundamentals of Metalsmithing by Tim McCreight, Brynmorgan Press.
Moyer’s metal work is included in the slide archives of the National Ornamental Metal Museum.

Contact: Julie Navejar julie.navejar@tamuk.edu or 361-593-2590
For more information, call 361-593-3401.
-TAMUK-




Artist’s Statement

According to Leopold Ballak, M.D., the face is the window of the brain. “The left side of the face, controlled by the right side of the brain, expresses feelings and passions more intensely than the right side. As a result the left side tends to record a deeper, perhaps more revealing pattern of emotions than the more easily controlled right side of the face.” (reverse for left handers).

It turns out that this describes the actions of Julian Jaynes theory, “The Bicameral Mind.” My interest is directed further toward the visual and physical effect the brain exerts on the face, and why. According to Julian Jaynes, the bicameral mind, which was an evolution of our early brain, identified a Master Control (right side). This side commanded; the other obeyed. The right side was able to tap into a variety of knowledge sources: its own active synapses, bioelectrical resources from within and without, the cosmic consciousness, etc. As logic (left side) evolved and offered a better way of social interacting, the bicameral master control mind with its vast bioelectrical resources de-evolved. It ultimately was seen as disruptive and primitive. We are left with two distinct brain hemispheres that don’t work together as well as they once did. The vestiges of its process has been seen as a gift, since, unlike the logical mind, the right side could often foretell the future, and warn of unseen dangers. Evolved down into the “intuitive” brain, it is our sixth sense. Although it has declined from a probable audible voice to a “hunch” or a “gut feeling,” it is still often identified as “the voice within.” Bucky Fuller identified the bicameral mind structure inadvertently with his Phantom Captain: the little person inside operating the controls.

• The Empirical merged face: the person we see;

• The Commander: the dominant side who receives and generates information and 
   has cosmic connections;

• The Facilitator: who analyses information and manifests it into a visible, or public, act.
   Or doesn’t, which forms an interesting conflicted face.

I also discovered that the face is a dynamic organ. Depending on the person’s daily experience, the asymmetry may change. I re-photographed several of the faces; they were different each time. Sometimes a little, sometimes a lot.

With this exhibit, I identify some dual personalities, some inner conflicts, and show the window of the brain through the facial windows of my subjects. I hope viewers will think about their own faces from this point of view, and consider using this concept as a way towards a better understanding of themselves and those around them.





Professor Emerita of Art, UTPA
Chair of UTPA Art Department for 17 yrs

As an Art advocate, I am currently Chair of the McAllen Arts Council, Art Critic for the McAllen Monitor, and have served as Managing Editor of Voices of Art Magazine

Exhibitions:
• 10 solo exhibitions
• Over 90 juried and group shows; mostly drawings and metal works, work ing in the medium that
  best expresses my current concept.

Most recent activities:
• Jackrabbits! Collaborative public sculpture commission, City of McAllen
• The Bicameral Face: IMAS, and Brownsville Museum of Fine Art
• Chain Show, Blue Heron Gallery, Deer Isle Maine
• 5th Anniversary Exhibit, Galeria 409, Brownsville
• Counterflux: Defensive Ornament, G. Gibson Gallery, Seattle Scheduled for 2012:
• Continuations: a Retrospective, Kika de la Garza Fine Arts Center, Mission Scheduled for 2013
• Multiple Exposures: Jewelry and Photography, Museum of Art and Design, New York; my work
  has been selected for this curated exhibit scheduled for August 2013.

Published jewelry works include:
• Defensive Ornament, Schiffer Publishing Co – due out spring 2012
• Art Jewelry Today 2, Schiffer Publishing Co.,
• The Craft of Making Jewelry, Lark books Press, New York
• 500 Brooches, Lark Books Press, New York
• 1000 Rings, Lark Books Press, New York
• Jewelry: Fundamentals of Metalsmithing, by Tim McCreight. Brynmorgan Press

My metal work is included in the slide archives of the National Ornamental Metal Museum